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  Can We ATOMIZE the ARCTIC?
Posted by Karl on Monday January 06, @05:15PM

Ah, the naive influences of my youth...


When I was a kid my dad had several boxes of old Mechanix Illustrated and Popular Mechanics magazines, dating back to the 1940s and 1950s. So, almost before I could read, I was eagerly looking over the illustrations of articles like the following:

Like many of the articles, "Flying Saucers for Everybody (Mechanix Illustrated, March, 1957) was written by a Mr. Frank Tinsley, who as it turns out was a frequent and enthusiastic contributor of SF to magazines such as Amazing Stories. I believe he was also an illustrator who did some work on the Tom Swift books. One Mechanix Illustrated article that I fondly remember was the (partly prescient, partly off-base) article "Fortress on a Skyhook" (MI, April, 1949). Part of the illustration is reproduced below:

The article claimed that the U.S. Defense Department was seriously considering space-based nuclear-missile platforms. Tinsley included detailed sketches of a method for what we would now call heavy-lift launching of prefab space station components. Of course, the rockets in question had that perfect, curved V2 profile to them. Just the thing to set a kid's imagination going.

The funny thing about these articles is that they came to me out of what was, for a young boy, an unimaginably distant past. They were visions of the future that hadn't happened--that had already become overgrown, and now lay steeped in dust in basement boxes. I suppose knowing this gave me a somewhat jaundiced view of technological development, which the Apollo project briefly succeeded in wiping away.

Most of Tinsley's ideas were vaguely workable; some were positively Utopian. Not all of the articles I grew up with were believable, though. Some were nightmarish, and some, like the one I'll leave you with below, were ludicrous and painful at the same time, even to us in the unenlightened sixties.

This article was entitled "Can we ATOMIZE the ARCTIC?" Tinsley didn't write this one; it was penned by a Wallace W. Ashley and Elmer V. Swan. According to them, Professor Julian Huxley had proposed the idea of using nuclear bombs to melt the polar ice caps. This would moderate our northern climate, eliminating pesky cold snaps and opening up shipping across the top of the world.

My scans below don't do justice to the two-page spread that begins the article. On the left we see a full-page illo of nukes shattering the ice caps. As your eye pans right across the page, the sky becomes filled with a radiant glow (presumably the permanent background radiation that will keep the arctic comfortably warm for its new inhabitants) while basking under it is a new urban Center of Commerce.

Left-page panel: nuking the whales, er, icebergs.


Right page partial-panel: the radioactive sky.

Of course, this was published in May, 1946 (in Mechanix Illustrated, natch). Hiroshima and Nagasaki had just happened when the article was commissioned; let's hope the authors and editors hoped to inspire a more peaceful use of nuclear power than that which they had just witnessed.

To me though, this and the other articles formed an indelible early lesson: that the future goes obsolete faster than just about anything.



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    A dangerous mind takes on the orthodoxy of science--from within.

    P.K. Feyerabend was one of the 20th century's greatest philosophers of science. He was also a self-proclaimed "epistemological anarchist" and a brilliant critic of the ruling paradigms of science (including the whole idea of "paradigms"). Written with scintillating wit and formidable scholarship, Against Method is his broadside against any attempt to institutionalize and codify the process of discovery.

    The Fine Print: The following comments are owned by whoever posted them.
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    Bonus: What a Rocketship Should Look Like
    by Karl on Saturday January 18, @08:02AM
    As a bonus, here's another image from the "Fortress on a Skyhook" article, for your viewing pleasure:

    [ Reply to this ]
    Re: Can We ATOMIZE the ARCTIC?
    by serner on Tuesday January 28, @05:40AM
    great stuff! thanks a lot...would it be possible to get the article/s too ... i am always curious about make some artistic stuff out of such material...

    thanks & greetings from cologne/germany,

    serner

    home: random items
    [ Reply to this ]
    Re: Can We ATOMIZE the ARCTIC?
    by Brother Mark on Monday February 03, @03:52PM
    Seems to me there was another one on automated houses; sort of a Jetson's vision of robotic servants popping out of walls to do the cooking and cleaning. `Course I mostly remember the model in the hotpant overalls who modelled power tools in every issue of MI....
    [ Reply to this ]
    • Re: Can We ATOMIZE the ARCTIC?
      by Karl on Monday March 03, @09:47AM
      Wasn't she called MiMi?
      [ Reply to this ]
      • Re: Can We ATOMIZE the ARCTIC?
        by Rob on Thursday July 29, @03:50PM
        They were all called Mimi. They used to change Mimis every few years. Tom McCahill used to joke that the Mimi de jour had to be blonde and had to fit the hot-pants coveralls, because the magazine was too cheap to buy another pair.
        [ Reply to this ]
    The Works of Radebaugh
    by Karl on Monday March 03, @09:49AM
    As reported on Boingboing and elsewhere, there's an exhibit online now of works by the great Golden Age artist A.C. Radebaugh. If you like the illustrations above, you'll love this site.
    [ Reply to this ]
    Re: Radebaugh exhibit
    by Jared on Friday October 24, @04:49PM
    A new online exhibit, “The Future We Were Promised”, displays a vintage vision of the future, rediscovered from the mid-century past.

    The exhibit, on the elusive futurist imagineer A. C. Radebaugh, has just opened at http://www.palaceofculture.org/radebaugh.html

    Radebaugh’s illustrations range from Art Deco cityscapes in the 1930s to campy cartoons in the late 1950s. From streamlined flying cars to glamorous skyscrapers, his renderings were both pragmatic and fantastical, showing possibilities unimagined, derived from the technology of the day.

    Viewed together, his luminous airbrushings, vintage advertisements for clients as diverse as Coca-Cola and Chrysler, and “believe-it-or-not”-style cartoon strips represent an alternative technological, architectural and social history of the 20th century.

    Radebaugh was an eccentric character in his day, an occasional star who had many close encounters with fame but was largely forgotten after his death in 1974. His work was recently rediscovered by historians Jared Rosenbaum and Todd Kimmell, who created an exhibit which opened March 2003 in Philadelphia, and will travel to Nantes, France this November. The online exhibit was created by Palace Of Culture curator Rosenbaum as a permanent tribute to Radebaugh’s forgotten genius.


    Click to download attachment Rad_004.jpg
    24KB (25275 bytes)

    [ Reply to this ]
    Re: Radebaugh exhibit
    by Jared on Friday October 24, @04:57PM
    A new online exhibit, “The Future We Were Promised”, displays a vintage vision of the future, rediscovered from the mid-century past.

    The exhibit, on the elusive futurist imagineer A. C. Radebaugh, has just opened at http://www.palaceofculture.org/radebaugh.html

    Radebaugh’s illustrations range from Art Deco cityscapes in the 1930s to campy cartoons in the late 1950s. From streamlined flying cars to glamorous skyscrapers, his renderings were both pragmatic and fantastical, showing possibilities unimagined, derived from the technology of the day.

    Viewed together, his luminous airbrushings, vintage advertisements for clients as diverse as Coca-Cola and Chrysler, and “believe-it-or-not”-style cartoon strips represent an alternative technological, architectural and social history of the 20th century.

    Radebaugh was an eccentric character in his day, an occasional star who had many close encounters with fame but was largely forgotten after his death in 1974. His work was recently rediscovered by historians Jared Rosenbaum and Todd Kimmell, who created an exhibit which opened March 2003 in Philadelphia, and will travel to Nantes, France this November. The online exhibit was created by Palace Of Culture curator Rosenbaum as a permanent tribute to Radebaugh’s forgotten genius.


    Click to download attachment Rad_004.jpg
    24KB (25275 bytes)

    [ Reply to this ]
    Re: Can We ATOMIZE the ARCTIC?
    by Joe Meils on Sunday July 03, @09:42PM
    I'm glad to see someone else remembers Frank Tinsley. I too grew up with his articles in stacks of old M.I.'s my father kept in his shop. I especially remember the ilustrations he did for an article on "Homo Superior." Talking about how atomic radiation may create a mutation to the human race which would naturally be masters of us all. Although the imagery is right out of "This Island Earth" or "Forbidden Planet", his articles had a weird sort of reality to them. Highly dramatic, but detailed enough to suspend disbelief. His visions included hosehold robots, giant space arks, solar sails, and advanced technology for the military that was right out of Heinlien. Someone should start an online club for this man's art, and collect as many of these lost gems as possible.
    [ Reply to this ]
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