Skip to content. | Skip to navigation

Downloads

I've made my first novel, Ventus, available as a free download, as well as excerpts from two of the Virga books.  I am looking forward to putting up a number of short stories in the near future.

Complete novel:  Ventus

 

To celebrate the August, 2007 publication of Queen of Candesce, I decided to re-release my first novel as an eBook. You can download it from this page. Ventus was first published by Tor Books in 2000, and and you can still buy it; to everyone who would just like to sample my work, I hope you enjoy this version.

I've released this book under a Creative Commons license, which means you can read it and distribute it freely, but not make derivative works or sell it.

Book Excerpts:  Sun of Suns and Pirate Sun

I've made large tracts of these two Virga books available.  If you want to find out what the Virga universe is all about, you can check it out here:

Major Foresight Project:  Crisis in Zefra

In spring 2005, the Directorate of Land Strategic Concepts of National Defense Canada (that is to say, the army) hired me to write a dramatized future military scenario.  The book-length work, Crisis in Zefra, was set in a mythical African city-state, about 20 years in the future, and concerned a group of Canadian peacekeepers who are trying to ready the city for its first democratic vote while fighting an insurgency.  The project ran to 27,000 words and was published by the army as a bound paperback book.

If you'd like to read Crisis in Zefra, you can download it in PDF form.

Personal tools

After Prediction

Filed Under:

The Stross Entries #4

I've just spent two years working toward a Master's degree in Strategic Foresight and Innovation.

Because most people look at me blankly when I tell them this, I've developed two ways to describe what what I'm doing, and foresight is. The first is to say that foresight used to be called futurism, but that futurism has increasingly become associated with the idea of predicting the future. Foresight is not about predicting the future, it's about minimizing surprise. The second way I usually put it is that foresight is not about predicting the future; it's about designing the future.

Actually, I'll say it's just about anything, as long as it's understood that foresight is not about predicting the future.

The reason is that, frankly, I'm pretty tired of all those, "Dude, where's my flying car!" digs. There's always been a certain brand of futurist who's obsessed with getting it right: with racking up successful predictions like some modern-day Nostradamus. I'm sure you know who I'm talking about; some futurists play the prediction game very well, but in the end it is a game, and closer to charlatanism than it is to science. There's actually no method for seeing the future, and nobody's predictions are more reliable than anybody else's.

If actual prediction were possible, the insurance companies would be all over it. They don't try to predict how you're going to die, though, do they? They look at trends and probabilities, and try to minimize surprise for their investments. That's exactly how strategic foresight works--as a kind of institutional insurance policy against disruptive surprise. There's a whole raft of methodologies for this, ranging from Delphi polls to trends analysis and scenarios. For me, this way of looking at the future is complementary to my other way of looking, which is the more fun and disreputable wild-eyed prophet--that is, as a science fiction writer.

There are no limits on me when I write SF. In contrast, doing foresight is a disciplined activity. I like this combination; I'm finding that each way of looking forward influences and improves the other--as long as I don't get the two confused.

I'm still coming to grips with how these two years will affect my writing. One result of undertaken the programme is that I've developed a different attitude toward writing near-future SF. Most writers I know avoid at all costs writing about the near future, because nothing goes out of date quicker than next year. I've always tended to agree with this assessment and--because SF writers aren't in the job of predicting the future either--have tended to set my novels and short stories very, very far in the future. Thousands of years, usually.

I'm no longer satisfied with doing that. There's the little matter of my second way of describing what foresight is: not as prediction, but design. If you're afraid of being a poor predictor of the near future, you'll avoid writing about it. But what if you were never out to predict in the first place? What if you don't care if a story you set in 2012 gets immediately overtaken by events? What if you set the action there not to predict some event or outcome, but to encourage some action on the part of your readers?

In other words I have a new ambition for my own SF: not as prediction, and not cautionary, either--but aspirational.

The fact is that if I've learned one thing in two years of studying how we think about the future, it's that the one thing that's sorely lacking in the public imagination is positive ideas about where we should be going. We seem to do everything about our future except try to design it. It's a funny thing: nobody ever questions your credentials if you predict doom and destruction. But provide a rosy picture of the future, and people demand that you justify yourself. Increasingly, though, I believe that while warning people of dire possibilities is responsible, providing them with something to aspire to is even more important. The foresight programme has given me a lot of tools to do that in a justifiable way, so I might as well use them.

Now all I have to do is put my money where my mouth is. By, say, writing an optimistic, aspirational novel set in the near future and unflinchingly accurate to the possibilities, both positive and negative, of the next few years?

Yeah, okay. --At least, I'm going to try.

Addendum:  Head on over to Charlie's Diary to read the extensive comment thread around this entry.

Document Actions
Log in


Forgot your password?
New user?
About Me

I'm a member of the Association of Professional Futurists with my own consultancy, and am also currently Chair of the Canadian node of the Millennium Project, a private/public foresight consultancy active in 50 nations. As well, I am an award-winning author with ten published novels translated into as many languages. I write, give talks, and conduct workshops on numerous topics related to the future, including:

  • Future of government
  • Bitcoin and digital currencies
  • The workplace in 2030
  • The Internet of Things
  • Augmented cognition

For a complete bio, go here. To contact me, email karl at kschroeder dot com

Example: The Future of Governance

I use Science Fiction to communicate the results of actual futures studies. Some of my recent research relates to how we'll govern ourselves in the future. I've worked with a few clients on this and published some results.

Here are two examples--and you can read the first for free:

The Canadian army commissioned me to write Crisis in Urlia, a fictionalized study of the future of military command-and-control. You can download a PDF of the book here:


Crisis in Urlia

For the "optimistic Science Fiction" anthology Hieroglyph, I wrote "Degrees of Freedom," set in Haida Gwaii. "Degrees of Freedom" is about an attempt to develop new governing systems by Canadian First Nations people.


I'm continuing to research this exciting area and would be happy to share my findings.

 
Twitter

Twitter Updates

    follow me on Twitter
    A Young Adult Scifi Saga

    "Lean and hugely engaging ... and highly recommended."

    --Open Letters Monthly, an Arts and Literature Review

    Sheer Fun: The Virga Series

    (Sun of Suns and Queen of Candesce are combined in Cities of the Air)


     β€œAn adventure-filled tale of sword fights and naval battles... the real fun of this coming-of-age tale includes a pirate treasure hunt and grand scale naval invasions set in the cold, far reaches of space. ”
    β€”Kirkus Reviews (listed in top 10 SF novels for 2006)

    "With Queen of Candesce, [Schroeder] has achieved a clockwork balance of deftly paced adventure and humour, set against an intriguing and unique vision of humanity's far future.
    --The Globe and Mail

    "[Pirate Sun] is fun in the same league as the best SF ever has had to offer, fully as exciting and full of cool science as work from the golden age of SF, but with characterization and plot layering equal to the scrutiny of critical appraisers."
    --SFRevu.com


    "...A rollicking good read... fun, bookish, and full of insane air battles"
    --io9.com


    "A grand flying-pirate-ship-chases-and-escapes-and-meetings-with-monsters adventure, and it ends not with a debate or a seminar but with a gigantic zero-gee battle around Candesce, a climactic unmasking and showdown, just desserts, and other satisfying stuff."
    --Locus