Here's the full itinerary from the TPL website, along with a little teaser on my next event, coming up on March 24, that you might want to participate in:

Science Fiction and Foresight: Is it true that science fiction is about predicting the future? Karl Schroeder discusses when science fiction and foresight are the same and when they are different.
Saturday, March 6, 7-8:15 pm
Toronto Reference Library
Beeton Auditorium

Live Online Chat
Chat online with Karl Schroeder - a Book Buzz event.
Wednesday, March 24, 7-8 pm

 So come on down on Saturday for the talk!  It's supposed to be a glorious spring-like day, so why not visit the library then take a stroll down Yonge?

I'll be author Guest of Honour at Penguicon, April 30 to May 2, 2010.  Penguicon is not a science fiction convention, though there's a lot of overlap among the attendees; it's an open source con, dedicated to all things linuxy and open.  I hope this year to have the chance to talk about some of the research I did last year into open source biotech.  Meanwhile, however, if you're wondering what the con is like, I've managed to dig up a couple of podcasts of panels I was on at the 2007 convention:

• Cutting-edge SF author Karl Schroeder joins Ron Hale-Evans, author of Mind Performance Hacks, and Dr. Jonathon Sullivan MD PhD in neurology, to consider "The brain is a computer, the mind is software." That's been the ruling metaphor of cognitive science, neurology and AI studies for decades. The software of thought is supposed to operate much like that of a computer, going from discrete state to discrete state. However a new study from Cornell shows that our thoughts change continuously; the brain works "in shades of grey". And there are good reasons to think that the mind is not an artifact of the brain alone, but is extended into the environment as well.
• Christine Peterson, Jason Ahlquist, Karl Schroeder, and Ron Hale-Evans discuss the term 'posthuman'. The term "posthuman" seems to indicate a lack of humans. This is not what is meant, but itâs really bad marketing, and scares people. Even transhumanism is not a very friendly term. Names are important; perhaps it needs a new name the same way Free Software came to be known as Open Source Software?

If you're curious about Penguicon, give these a try.  

Here's the panel that Vernor Vinge, Charlie Stross, Aleister Reynolds, and I did at Boskone 47 on "The Technological Singularity:  an Assessment."  We critiqued the idea itself, its effect on science fiction writing, and its influence on our own works. You can watch it below; enjoy!

The Singularity: An Appraisal from Michael Johnson on Vimeo.

Friday  7pm        The Singularity: An Appraisal

Arguably the idea of the Singularity -- a period where change happens so quickly that life afterwards is incomprehensible to people who lived before it -- is one of the few entirely fresh ideas in SF in the last forty years.  Perhaps it is time for an appraisal. Has the idea of the Singularity been a good thing for SF, providing fresh ideas and stimulating great writing or has the notion that the comprehensibility of the future has a sharp (and near-term) limit diminished possibilities?  Has it been a good thing for *your* writing?  How about the Singularity in reality -- after twenty years does it look more or less plausible that it is lurking in our own real-world future?  Discuss the interplay between the idea of the Singularity in SF and actual scientific research.  Where are the really exotic ideas coming from?

  Friday  9pm        The Place of Prediction in SF and Reality

     Hugo Gernsback thought the purpose of SF was to educate.  Others think the purpose of SF is to predict. What *is* the place of prediction in SF?  Does it have any place at all, or is the occasional good prediction an accidental side-effect of writing stories?  Can SF be about the future and *not* be making predictions?  And let's not limit ourselves to technology -- if anything, SF may have a more distinguished history of predicting social changes.  (Did the publication of 1984 actually help prevent that future?)  Can foresight help us face the future? Finally, is SF better or worse in predicting the future than professional futurologists?

  Saturday1pm        Revamping Asimov's 3 Laws - and why that might be a good/ethical thing

     Charles Stross' *Saturn's Children* showed how Asimov's Three Laws of Robotics applied to an AI was nothing less than slavery of a particularly vile sort, since the chains of that slavery are made intrinsic to the nature of the robots and can naver be shaken off.  Do you buy this argument?  If so, are there alternatives to the Three Laws which might be less bad?  (Remember that the Three Laws  were constructed to deal with the Frankenstein Problem of our creations rising against us.)  Is it even possible to imagine AIs existing where we neither their slaves nor their masters?

  Saturday2pm        Space is for Robots?

     Is it such a bad thing that we haven't sent people to Mars, when  those little rovers can do so much without risking a life? What's the right balance between machines and humans in space exploration and development?

  Saturday3pm        Literary Beer

  Sunday  2pm        Autographing

As if blathering about myself on twitter, facebook, and here were not enough, I can now be found over at the Toronto Public Library as well.  This is all to the good:  I will continue to post updates here about schedule changes (if any) and generally promote the program whenever I can.  Over at TPL, I'll have the opportunity to talk more about the process of writing as such, and about my experiences as writer in residence.  I will not be talking anywhere about the individual writers who've come to me with their work; our discussions are between us and confidentiality is extremely important to me.  But I'll let you know how I'm getting on, how the process gets refined, and any insights and learning that I've come to during my time with TPL.

I meet a lot of people who have been away from science fiction for a few years--or even a few decades--and wonder where to start reading it again.  One of the best ways to get reacquainted with the best in the field is to check out Locus Magazine's annual reading list.  Locus is a multi-award winning SF/F industry magazine that carries all the latest scuttlebutt, reviews, etc.  Their readers are some of the most savvy and well-rounded in the business, so when they pool their resources to compile a list of recommended titles, you know it'll be good.

Which, of course, makes the fact that every one of my novels has made this list truly puzzling.  Not that I'm complaining, mind you--especially since The Sunless Countries has made this year's list!

On January 29, 2010, Amazon.com removed all my books from sale on their online store.  I wasn't singled out for persecution; all of my peers who publish at Tor Books, and indeed all authors associated with MacMillan Publishing, had their Amazon.com pages killed.  (You can still see the pages, but you can't buy anything.)

Up until yesterday, I linked from this website to Amazon, as a matter of convenience for fans who might want to buy my books after browsing these pages.  Granted the sheer arbitrariness, pettiness, and anticompetitive nature of the sudden price war between Amazon and MacMillan, I have removed all purchasing links to Amazon from my site, and will not be re-linking even if they restore the frozen pages.

This type of action holds authors and readers hostage to a commercial war between publishing giants.  It puts a lie to the idea that we can choose where to buy books in a free marketplace, because this kind of strong-arm tactic is likely just the beginning.  Things are turning nasty in the book world, and it's authors and readers who stand to lose the most.

Due to the last-minute dogpile of publicity about my writer in residence tenure, it may look as though you'll have to scramble to participate.  After all, the program starts in just a few days.  

Not to worry.  I'll be accepting manuscripts for critique and discussion for the next several months.  Obviously, if you hand me something on the last day of my appointment, I may not be able to give you the time you deserve, so the sooner the better.  But don't panic if you're not ready this week.  

I'll continue to post information and links about how to join the program, and I'll also be blogging about it all over at the TPL website (link and more details forthcoming).

Now, the workshops are a little more time-constrained.  The sooner you tell TPL if you want to attend those, the easier our organization of the events will be.  But I'm not expecting to have gone through a reading/critiquing cycle with you before the workshops.  We may not get to meet at all before they happen, but they're different from the one-on-one meetings, so that's fine.

Does this all make sense?  If you've got any questions, don't hesitate to contact the library, or me at karl(at)kschroeder.com

Toronto Public Library has put up its web page detailing my writer in residence tenure this spring.  That means I can reveal the details here too; I'll give you some here, but I'll also be placing the events into my calendar, which you can access at any time through the "Events" menu item on the left of the site's window (or the "upcoming events" box on the right).

Here's how to participate

Submit your manuscript for an opportunity to have a one-on-one evaluation with me or attend the writer-in-residencereadings and workshops.

• Manuscripts should be sent via email to Karl Schroeder, writer in residence at the Merril Collection.
• All manuscripts should include your name, address, phone number and e-mail address.
• Manuscripts should be 5,000 words in length. I will read only the first 5,000 words of longer submissions and base his comments on that word length.
• After your manuscript has been read, the Merril Collection staff will contact you and book an appointment for you to discuss your writing.
• I'lll will need 1 –2 weeks lead time in order to read submissions before an appointment is booked.
• The library reserves the right to limit the number of manuscripts accepted.
• Toronto Public Library is not responsible for returning manuscripts. Please submit a COPY of your work.

Having been a roaring success in audiobook form and in its first print incarnation from Subterranean Press, METAtropolis is returning this summer in a new edition from Tor Books.  I don't have too many details yet, but I'll post cover art here when I get it; the publication date, however, is July 30th.

Centauri Dreams is one of my favourite sites for discussions on the mechanics and romance of interstellar travel.  They've just done an article discussing my concept of the interstellar cycler, which I used as the basis for the Cycler Compact civilization in 2002's Permanence.  

I've written more extensively about cyclers here, and after Permanence, haven't gone back to the idea for a while.  I'm glad other people are still worrying away at the ideas, because as with all proposals for interstellar travel, the devil's in the details.  Surprisingly, the more you look at the idea, the easier some aspects of it become; for instance, in the description of the concept over at orbitalvector.com, they elaborate on an idea attributed to Jeremy Totten, whereby cyclers can reproduce slowly by the accumulation of donated resources from waystation stars.   There are many variations on the idea, some of which I've explored (eg. if cyclers can reproduce through resource accumulation, they can also be initially built that way), and other people continue to find more.

The big question--for me--is whether I'll ever write another Cycler Compact novel.  I hope I can, but that plan suffers from the fact that I am constantly coming up with other new ideas, and the burning need to get those written down means cyclers keep ending up on the bottom of the priority list. But you never know; if inspiration hits, I'll be happy to return to that universe.

Tor Books has been very happy with my Virga books, so much so that they've decided to release a new, omnibus edition of the first two.  Sun of Suns and Queen of Candesce will appear together in one volume, entitled Virga:  Cities of the Air.  This book will hit the stores on July 6, 2010, but you can pre-order it now from Amazon.

Yes, there is in fact already an omnibus edition of these books--it's Virga 1.2, from the Science Fiction Book Club (advertised in the right-hand sidebar of this page, with cover art by Dave Seeley).  That edition is only available to book club members, though; the new omnibus will be from Tor and will be in bookstores everywhere (and, presumably, in ebook form too).  We hope to have further omnibus editions to round out the series.

Russ Allbery has reviewed most of my novels on his site, and he's always provided an extremely good litmus test of how well I'm doing.  (Except of course for his giddy and utterly approving review of Lady of Mazes, which if not entirely objective was at least a great piece of ego-boo for me.)  As well as praising the strengths, he finds the weaknesses in my work with unerring precision and for this reason I always await his reviews with great anticipation.

What he has to say about The Sunless Countries is extremely positive, and his criticisms are fair.  I can learn from a reviewer like this:

 The Eternists are a bit over the top, though. Schroeder paints the politicians as manipulative, self-serving slime, and since the protagonist is an academic, the conflict follows stock fault lines and seems pat and cliched. He makes it work within the book, but the obvious analogies outside the book are too easy and a bit distracting.

Yeah, okay.  I'll try to do better.  On the other hand, this is his overall assessment:

The Virga series still falls a bit short of Schroeder's other work for me, but this is the most intellectually interesting entry. He moves away from steampunk set pieces and into more analysis of the nature of government and the perils and alliances of high technology. It's one of the better books in the series, although it still trails Queen of Candesce.

Fair enough, and thanks once again for a well-measured review.

Just a reminder that, if you're anywhere close to Toronto this winter, you can take advantage of my tenure as writer in residence at the Merril Collection of Science Fiction, Fantasy, and Speculation--Toronto's public library devoted to SF&F.  I'll be reviewing and thinking about manuscripts provided by members of the public, and hope to discuss people's work with them in the safe and supportive environment of a public library dedicated to the art and fun of SF&F.

In order to sign up for the programme, you'll need to contact the library rather than me.  For more information, contact the library directly at 416-393-7748.