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Free Stuff

I've made my first novel, Ventus, available as a free download, as well as excerpts from two of the Virga books.  I am looking forward to putting up a number of short stories in the near future.

Complete novel:  Ventus

 

To celebrate the August, 2007 publication of Queen of Candesce, I decided to re-release my first novel as a free eBook. You can download it from this page. Ventus was first published by Tor Books in 2000, and and you can still buy it; to everyone who would just like to sample my work, I hope you enjoy this free version.

I've released this book under a Creative Commons license, which means you can read it and distribute it freely, but not make derivative works or sell it.

Book Excerpts:  Sun of Suns and Pirate Sun

I've made large tracts of these two Virga books available.  If you want to find out what the Virga universe is all about, you can check it out here:

Short Stories

I'll be adding new stories here periodically.  First of all, you can try my Aurora-award nominated short story "Hopscotch."  The year this was nominated, another of my stories was also nominated:  "The Toy Mill," which I wrote with David Nickle.  "The Toy Mill" won the award; but I've always been fond of "Hopscotch."  Here it is, in its entirety excerpted from my collection The Engine of Recall.

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Technology really is legislation

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Australian high court judge says laws will be embedded in technology, not subject to it. He's wrong

I used the catch-phrase "technology is legislation" in my novel Lady of Mazes, to express the idea that technology does an end-run around law.  Now, an Australian judge is saying just this, and more:  that technological objects will increasingly encapsulate deliberately-crafted legal structures in their very design.  He says:

"We are moving to a point in the world where more and more law will be expressed in its effective way, not in terms of statutes solidly enacted by the parliament...but in the technology itself--code."

He's nearly right; except for having it backward, that is.  What he's describing has similarities to my idea of the tech locks, which are socially-imposed limits on technology expressed in the technology itself, not in laws that surround it.  Judge Kirby is focusing on computer code here, but the principle is actually more general than that;  in the future, his idea implies we may have a legal system that operates not according to what's allowed, but according to what's possible.  If criminal use of a particular technology is simply not possible, then that's the same as having a law against that use. 

I think most people would prefer to live in a world where things are possible if not allowed, rather than the nightmare scenario of a world where many things simply can't be done.

However, Kirby is wrong about one crucial thing.  Laws will not be expressed in their effective form through code; code does and will continue to effectively create law--without reference to the legal system.  Groups like the record companies and the RIAA are finding out this out now.  Their people are trying to design devices that by design can only be used legally.  Digital Rights Management (DRM) is an example of this kind of pixie-dust sprinkled on technologies that are inherently a-legal.  Kirby is wrong when he imagines that law can be embodied in code, because code is inherently elastic; it's more like water than iron, because it partakes in a basic fact of nature:  that our definitions of things aren't the things themselves. 

Computer code relies on this fact.  Its identifications are all contingent, all temporary, all local.  As Brian Cantwell Smith points out in On the Origin of Objects, types ("can this kind of variable contain a text string or only integers?") are impossible to hard-code into a computer.  And if you can't even dictate that something is always and only an integer, how can you enforce any kind of higher-level legal structure in code?

Technology is legislation, but it can't be controlled on the level that Kirby is talking about.  Any attempt to do so can only result in Orwellian, and unintentionally hilarious, results (again, the entire current state of the music industry is both).

Thanks to Walter Derzko over at SmartEconomy for bringing this one to my attention.

 

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