Keeping in the spirit of dumping all kinds of news at once, here's my schedule for the 2013 World Science Fiction Convention in San Antonio, Texas, which is taking place over the Labour Day weekend. It's a whirlwind visit as I need to get back to Toronto to continue futuring for my new employer, Idea Couture. Luckily, I've got lots going on. If I'm lucky, I'll even get there early enough Friday night to take over the bathtub bar at the Tor party. We'll see. Meanwhile, here's my itinerary:

Reading: Karl Schroeder

Saturday 10:00 - 11:00

Karl Schroeder 

Autographing: Ellen Datlow, Josh Rountree, Karl Schroeder, Lynne M. Thomas

Saturday 12:00 - 13:00

Ellen Datlow , Lynne M. Thomas , Josh Rountree  , Karl Schroeder 

Consensual Reality: Your Relationship to the World

Saturday 15:00 - 16:00

Google Glasses, augmented reality, kinetic gaming, tactile transmission systems. These and other new technologies are on the horizon to transmogrify sense and sensation. Google glasses are the first step to putting an overlay on the reality we see. This opens the door to hiding the ugly and changing what we see. When we do this socially it leads to possible consensual reality as in the works of Vinge, Schroeder and others. What will such capability mean in reality? Has science fiction explored the societal consequences?

Edie Stern (M), Yasser Bahjatt  , Walter Jon Williams  , Ben Bova  , Karl Schroeder 

Kaffeeklatsch: Nancy Kress, Edward M. Lerner, Karl Schroeder

Saturday 17:00 - 18:00

Edward M. Lerner  , Nancy Kress  , Karl Schroeder 

Speed-Forecasting Workshop

Sunday 10:00 - 13:00

We will do a quick analysis of the future, with the end product being four scenarios that highlight different possibilities. Come take your work to the future!

Karl Schroeder

Have We Lost the Future?

Sunday 14:00 - 15:00

Where science fiction once looked to the future as the setting for speculation, nowadays the focus seems to be on alternate pasts, fantasy worlds, or consciously "retro" futures. We're no longer showing the way to what things might be like. We discuss whether this is connected to the general fear of decline and decay in the English-language world -- or has science fiction simply run out of ideas?

Karen Burnham (M), Brenda Cooper  , Karl Schroeder  , Willie Siros  , Derek Kunsken 

As You Know, Jim...

Sunday 15:00 - 16:00

Exposition is never easy. How can writers communicate the details of a setting, magical system or incredible scientific breakthrough without losing half their audience? What makes a readers eyes glaze over and how do you avoid it?

Michelle Sagara (M) , Tanya Huff  , Karl Schroeder  , Jack McDevitt  , Walter Jon Williams 

First Contact Without a Universal Translator

Sunday 17:00 - 18:00

How do we establish a common conceptual base to communicate with another species? Sure, we have numbers and the hydrogen atom in common, but how far would that get us in a world of beings who share none of our sensory apparatus?

Lawrence M. Schoen (M) , Paige E. Ewing  , Karl Schroeder 

By the way, if you want to plan your days, the entire schedule is or will shortly be online at http://www.lonestarcon3.org/guests/appearing.shtml.  

That's it. See you all there!

I was a late addition to Confusion's roster of guests this year; my fault, for having such a crazy schedule lately that I don't know where I'll be until I'm there. We always enjoy Confusion, though, and I'm looking forward to the new venue and to seeing lots of friends.  

So, I hope to see you there!

My editor, David Hartwell, and Elizabeth Bear and I will be talking about the future of SF at the annual New York Library Association conference, which is being held in Saratoga Springs, NY. This is pretty timely as there's a fair amount of buzz on the subject lately, mostly touched off by Paul Kincaid's review of several Year's Best story collections; I've put in my two cents about that already. 

So I've talked about rolling up our sleeves and reinjecting energy into the genre; but what does that look like? Well, for starters, it looks like Hieroglyph, which I'm part of. The Hieroglyph project is looking for new symbols of a viable future. If you imagine all our existing glyphs--the rocket ship, the robot, the flying car--as crusted and plastered over with decades of associations and past interpretations, then it seems really hard to see the excitement that once lay under all that cruft. (The quintessential example for me is Star Trek, where the first series was about the adventure of space exploration, and the subsequent series deteriorated into sentimental tales about managerial team-building in a variety of idealized office buildings called Enterprise, Deep Space Nine etc. Where's the excitement in that?) So what can we create now that has the same mythic dimension to it, the same instantly recognizable impact, as the finned rocket ship, or the metal man? Hieroglyph is about consciously crafting such new mythic symbols.

As an ironic counterpoint to that, one of my long-term projects has been to show how, without invoking any new science or technology, we can still invent entirely new science fictional settings, places so gobsmackingly cool that any number of novels and stories could be set there without exhausting them. (I'm talking of course about Virga, and my forthcoming Lockstep.) The idea here is that we are so far from exhausting the wonder in what we already have that it's hardly even necessary to invoke new tech or science to create fantastical and unheard-of visions. I've proven this with the worlds of Permanence and Sun of Suns; I'm about to do it again with Lockstep. There's nothing wrong with a new hieroglyph, but what we already have is amazing enough, if we get off our fat asses and use our imaginations a bit.

Partly, though, the future of SF has to do with reinventing the future itself. After getting a degree in foresight and practicing futurism for a few years now, I can see how the vision of the future of SF really has diverged from the projections made by professional futurists.  Science fiction's future is no longer our future. But it could be.

So this is what we'll be talking about on the 7th in Saratoga Springs. And it's also what I'll be twittering about for the next while--and, most importantly, my next stories and novel are going to explore some new directions. Look to this space, and those. It's coming.

Yes, it's finally (almost) here: the graphic novel version of Sun of Suns! And I'll be doing the full reveal and talking extensively about the project this weekend at SFContario, at the Ramada Plaza Hotel in downtown Toronto.

Sun of Suns is set in the world of Virga, the ultimate hyper-technological-post-singularity-cannons-and-swordfights-pirate-infested steampunk playground of the imagination. There's much to say about the new project, and I'll be unveiling the artists, our writer and editor and their work on Saturday night at 6:00 p.m. For now, you'll have to get by on this teaser image. 

Hope to see you there!

• Friday  6pm        Writing Graphic Novels
• Friday  9pm        Against a Bright Background -- Building a Vivid  World
• Saturday11am       Imagining the Near Future
• Saturday4pm        What Is Time Travel Good For?
• Sunday  10am       Nanotech or Nevertech?

Boskone 48 will be held at the Boston Westin Waterfront hotel, February 18-20, 2011.  Guest of honour will be Charles Stross, with special guest Charlaine Harris. I love this convention, and have been going for a few years now.  

This is going to be my opportunity to talk about what it's been like to go for a Masters degree in Strategic Foresight and Innovation--essentially, futurism.  I've also got some graphic novel material to show off.  So if you're in the Boston area on that weekend, come on down!