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I've made my first novel, Ventus, available as a free download, as well as excerpts from two of the Virga books. I am looking forward to putting up a number of short stories in the near future.
To celebrate the August, 2007 publication of Queen of Candesce, I decided to re-release my first novel as an eBook. You can download it from this page. Ventus was first published by Tor Books in 2000, and and you can still buy it; to everyone who would just like to sample my work, I hope you enjoy this version.
I've released this book under a Creative Commons license, which means you can read it and distribute it freely, but not make derivative works or sell it.
I've made large tracts of these two Virga books available. If you want to find out what the Virga universe is all about, you can check it out here:
In spring 2005, the Directorate of Land Strategic Concepts of National Defense Canada (that is to say, the army) hired me to write a dramatized future military scenario. The book-length work, Crisis in Zefra, was set in a mythical African city-state, about 20 years in the future, and concerned a group of Canadian peacekeepers who are trying to ready the city for its first democratic vote while fighting an insurgency. The project ran to 27,000 words and was published by the army as a bound paperback book.
If you'd like to read Crisis in Zefra, you can download it in PDF form.
--And references my work for the Canadian military
Over at io9, Andrew Liptak has written a well-considered article about the national differences in military-oriented science fiction--contrasting American SF with Canadian, British and other nations' takes on the future (or lack thereof) of war. He extensively references my 2005 short novel Crisis in Zefra, which I wrote for the Canadian military. Zefra has been widely read and commented on; it was even excerpted in Harper's magazine. Liptak praises Zefra for presenting something different from the American perspective on war, by describing a multi-stakeholder peace-keeping mission without any of the 'winner takes all' characteristics of U.S. triumphalism.
To say that I'm ambivalent about war would be a huge understatement; I come from a Mennonite background, after all (you do the math). Nonetheless, while my attitudes definitely played into Zefra, the document is ultimately a reflection of Canadian military doctrine and forward thinking.
Yes, we think differently up here; and we wage war differently, too.
Hey, somebody had to do it. Why not me?
If you head on over to Tor.com, you'll find a review I've just posted of the Shell Energy Scenarios to 2050. A review of a foresight project? Hell, why not? Foresight exists as a kind of parallel world to science fiction--a realm of official futures and aspirational texts that plays off of SF tropes but also invents its own. There are a lot of foresight projects out there and their findings can be fascinating, illuminating and controversial (remember the Limits to Growth and all the ink that was generated around it?).
If people like this little review I'll be happy to write more. Should be interesting, because there's an obvious subtext to this first review: it's the question, is the science fiction readership actually interested in other visions of the future?
Let's see what happens. Should only take a day or two to find out.
My occasional game of speculation about how best to fund the future
I've played this game before--and I will again. I find it clears the mind wonderfully to wonder what you'd do for the world if you had a billion dollars to spend. Build a secret volcanic island lair? Check. Cure necrotizing phlombosis? Check. Oh, there's all kinds of stuff you could do.
--There's one rule, though: whatever you spend your billion on, it has to be something nobody else is doing--and something that's worthwhile in a completely game-changing way.
After all, in today's market a billion dollars will get you a few miles of subway, or a new sports stadium. Yay. But it can get you so much more, as Elon Musk has demonstrated with his reinvention of the space launch business (and he hasn't spent more than a fifth of a billion on that). In fact, a billion is enough to solve more than one problem, if it's properly distributed.
I play this game regularly because the world keeps changing, and what's important keeps changing. Some items remain from previous lists; some are new. Here's today's list:
An odd set of priorities? But, what if they all worked? Simultaneous breakthroughs in energy, resource access including food, removal of the threat of global warming, remediation of the natural environment destroyed by intensive agrivulture and, most importantly, a Renaissance in collective problem-solving would literally mean the world to us.
The point of all this should be clear. Even in a global recession, money's not the scarce commodity. Audacity is.
What can you do with a billion dollars?
You can build a new sports stadium.
Or, maybe, you can save the world.
Saving the world is going to require a lot of work. Here's a few places to start
I've been reading Global Risks 2011, the sixth edition of the World Economic Forum's Risk Response Network report. It reviews the various major issues that face the world--and there's a lot of them. Most interestingly, though, it also mentions, almost in passing, what some of the solutions might be. Many of them are things that are not being done, but that could be done, and could in fact be the basis of entire careers, business models, or academic careers. So for instance, take the following:
There's a lot of worry and hang-wringing today about the financial system and jobs. The fact is, though, that certain aspects of the future are very, very clear. Water will be an issue throughout the U.S. midwest. Some new measure of prosperity other than GDP will become the norm by which nations are compared. Economic growth, in the traditional sense, will have to slow, but something much more interesting could replace it. These things are crises only if you are desperately trying to hang on to old ways of doing this. For those willing to try something new, they're gigantic opportunities.
A delicate balance must be established between interconnection and autonomy
Here's an image that's gotten wide exposure in the past week or so: In their article The network of global corporate control, Vitali et al. mapped out the global network of ownership that constitutes what some would call the Oligarchy. This, in other words, is a chart of the famous 1% who control 50% of the world's wealth.
It's an interesting chart, because it shows several different kinds of information. The size of the dots represents companies' operating revenue; colour indicates their influence on the network. The large red dots are the companies that run the world.
This might seem a little abstract, so here's a zoom-in that shows how the network works:
Now what's interesting to me here is not the usual paranoid recognition that a very small number of entities control the world; 'control' implies they can actually steer the course of events, which is not the case. They have disproportionate influence, and that's not a good thing; but control? Nobody's actually in control.
No, what's interesting and disturbing to me is the level of interconnection itself. In my 2005 novel Lady of Mazes I introduced a future world where interconnections on all levels of the economy and society were carefully pruned by the all-powerful anecliptics. These non-human powers worked tirelessly to prevent critical states of interconnection, where a tiny event at one point in the network can suddenly cascade through the whole thing and realign everything.
(These are sometimes called sandpile models, because they reflect the same physics as sandpiles: you can drop grains of sand one at a time onto the pile, and most of the time, nothing will happen. The pile just grows. Then all of a sudden, you drop one grain and the whole pile collapses. Why does this happen? It has to do with self-organized criticality.)
When the 2008 economic meltdown happened I felt like Cassandra, because you could watch the collapse of the over-connected financial network in real-time. All kinds of causes have been advanced for the collapse, but really, any specific cause for the failure of a given node of the network is secondary to the fact that the failures propagated. This is because the network was over-connected and had reached a critical state; the same thing is happening again.
So, my interest in this model is not because it shows that a small set of companies 'run the world;' it's because it shows that we live in what Brian Cantwell Smith calls a frictionless 'gearworld' where turning any gear, no matter how small, anywhere in the world, may cause everything else to revolve.
In Lady of Mazes networking limits called 'firebreaks' were used to prevent interconnections reaching a critical state, and influences from spreading too far. In a New Scientist article on the above-cited study, George Sugihara of the Scripps Institution of Oceanography, a complex systems expert, is said to have advised a tax on interconnectivity for corporations. That would be a kind of firebreak in the Lady of Mazes sense. We need something like this now, not just to prevent a consolidation of power but to prevent the vulnerable collapse of a sandpile-model of the world economy.
The future is a kaleidoscope. What we can see depends on where we are
Toronto was under siege by SARS when my daughter was born; in fact, it was in the hospital where we had Paige. As a result, we were quarantined a couple of days after bringing her home. This meant we all had to sleep in separate bedrooms, wear face-masks all day, and could not go out. Nobody could visit us, either, so we had a lonely week just when we should have had people pouring through the house.
I remembered this when digging through my foresight work from several years ago. Around 2005-2007, public worry about the future wasn't about the economy; it was about bird flu. If this strikes you as funny now, after one economic meltdown and as we balance on the edge of another, consider this: bird flu is back. It made a return in central Asia this summer, and may spread.
The future we imagine usually mirrors our concerns of the day. That's one reason we get blind-sided by events: we're looking one way and a crisis comes at us from another. This is why in foresight we look for what we call 'critical uncertainties,' which are trends or possible events whose occurrence or effects are highly uncertain, but whose importance would be high if they occurred. Right now, another global economic meltdown is not a critical uncertainty, because, well, it's highly likely and thus not uncertain at all. Lots of people are paying attention to it, and that means that foresighters (futurists? forecasters? still struggling with my terminology) don't have to.
No, in terms of near-future disruptions--particularly 'black swan' events--my money's on bird flu again. Don't forget, this is a disease with a 50% mortality rate, as high as Ebola's, but which is a hundred times more communicable than Ebola. If half your office comes down with bird flu, a quarter of your office-mates will be dead in a week. But we have no idea whether it'll break out the way SARS did, so it's one of our most critical uncertainties.
SARS was a lesson for me; I lived it and I know what a city under quarantine would look like. People dropped food baskets on our porch and then ran for their cars. On the other hand, disciplined efforts in Toronto, Ottawa and San Francisco eliminated the North American outbreak, and thus helped prevent a pandemic.
It's good to feel prepared. The problem is, now that I know about this roving blindspot we all have towards the future, I find myself constantly wondering: what other critical issues have fallen off our radar because we've become distracted?
I'm a member of the Association of Professional Futurists with my own consultancy, and am also currently Chair of the Canadian node of the Millennium Project, a private/public foresight consultancy active in 50 nations. As well, I am an award-winning author with ten published novels translated into as many languages. I write, give talks, and conduct workshops on numerous topics related to the future, including:
For a complete bio, go here. To contact me, email karl at kschroeder dot com
I use Science Fiction to communicate the results of actual futures studies. Some of my recent research relates to how we'll govern ourselves in the future. I've worked with a few clients on this and published some results.
Here are two examples--and you can read the first for free:
The Canadian army commissioned me to write Crisis in Urlia, a fictionalized study of the future of military command-and-control. You can download a PDF of the book here:
For the "optimistic Science Fiction" anthology Hieroglyph, I wrote "Degrees of Freedom," set in Haida Gwaii. "Degrees of Freedom" is about an attempt to develop new governing systems by Canadian First Nations people.
I'm continuing to research this exciting area and would be happy to share my findings.
"Science fiction at its best."
--Kim Stanley Robinson
"Lean and hugely engaging ... and highly recommended."
--Open Letters Monthly, an Arts and Literature Review
(Sun of Suns and Queen of Candesce are combined in Cities of the Air)
βAn adventure-filled tale of sword
fights and naval battles... the real fun of this coming-of-age tale includes a
pirate treasure hunt and grand scale naval invasions set in the cold, far
reaches of space. β
βKirkus Reviews (listed in top 10 SF novels for 2006)
"With Queen of Candesce, [Schroeder] has achieved a clockwork balance of deftly paced adventure and humour, set against an intriguing and unique vision of humanity's far future.
--The Globe and Mail
"[Pirate Sun] is fun in the same league as the best SF ever has had to offer, fully as exciting and full of cool science as work from the golden age of SF, but with characterization and plot layering equal to the scrutiny of critical appraisers."
--SFRevu.com
"...A rollicking good read... fun, bookish, and full of insane air battles"
--io9.com
"A grand flying-pirate-ship-chases-and-escapes-and-meetings-with-monsters adventure, and it ends not with a debate or a seminar but with a gigantic zero-gee battle around Candesce, a climactic unmasking and showdown, just desserts, and other satisfying stuff."
--Locus