The folks over at Audible.com are thrilled that the METAtropolis project has garnered a Hugo nomination--this is, after all, the first audiobook-first SF work to be so honoured.  To celebrate, and to give us a bit more of a fighting chance against the blockbuster films we're up against in our category, Audible is giving away METAtropolis to all comers.

Just head over to Audible.com and sign up (whether you follow through on your subscription later is your business), and you'll get a free download of METAtropolis.  Considering that this gets you novella-length works by four of the hottest names in SF plus myself, and considering that you get nine hours of entertainment, this ain't such a bad deal.  In fact, throw in the fact that several of the stories are read by the best actors currently on the SF scene (think Galactica) and you'd be crazy not to take advantage of the deal.

Here's the complete nomination results--and congratulations to all my friends who were nominated in other categories!  The awards will be handed out at Anticipation in Montreal, which happens August 6-10, 2009.

 Nominated works

Best Novel
(639 Ballots / Bulletins)

• Anathem by Neal Stephenson (Morrow; Atlantic UK)
• The Graveyard Book by Neil Gaiman (HarperCollins; Bloomsbury UK)
• Little Brother by Cory Doctorow (Tor Teen; HarperVoyager UK) — Free download
• Saturn’s Children by Charles Stross (Ace; Orbit UK)
• Zoe’s Tale by John Scalzi (Tor)

Best Novella
(337 Ballots / Bulletins)

• “The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
• “The Political Prisoner” by Charles Coleman Finlay (F&SF Aug 2008) – Read Online
• “The Tear” by Ian McDonald (Galactic Empires)
• “True Names” by Benjamin Rosenbaum & Cory Doctorow (Fast Forward 2) — Free download
• “Truth” by Robert Reed (Asimov’s Oct/Nov 2008)

Best Novelette
(373 Ballots / Bulletins)

• “Alastair Baffle’s Emporium of Wonders” by Mike Resnick (Asimov’s Jan 2008) — Read Online
• “The Gambler” by Paolo Bacigalupi (Fast Forward 2) — Read Online
• “Pride and Prometheus” by John Kessel (F&SF Jan 2008)
• “The Ray-Gun: A Love Story” by James Alan Gardner (Asimov’s Feb 2008) — Read Online
• “Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008) — Read Online

Best Short Story
(448 Ballots / Bulletins)

• “26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s Jul 2008) — Read Online
• “Article of Faith” by Mike Resnick (Baen’s Universe Oct 2008)
• “Evil Robot Monkey” by Mary Robinette Kowal (The Solaris Book of New Science Fiction, Volume Two)
• “Exhalation” by Ted Chiang (Eclipse Two)
• “From Babel’s Fall’n Glory We Fled” by Michael Swanwick (Asimov’s Feb 2008)

Best Related Book
(263 Ballots / Bulletins)

• Rhetorics of Fantasy by Farah Mendlesohn (Wesleyan University Press)
• Spectrum 15: The Best in Contemporary Fantastic Art by Cathy & Arnie Fenner, eds. (Underwood Books)
• The Vorkosigan Companion: The Universe of Lois McMaster Bujold by Lillian Stewart Carl & John Helfers, eds. (Baen)
• What It Is We Do When We Read Science Fiction by Paul Kincaid (Beccon Publications)
• Your Hate Mail Will be Graded: A Decade of Whatever, 1998-2008 by John Scalzi (Subterranean Press)

Best Graphic Story
(212 Ballots / Bulletins)

• The Dresden Files: Welcome to the Jungle Written by Jim Butcher, art by Ardian Syaf (Del Rey/Dabel Brothers Publishing)
• Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
• Fables: War and Pieces Written by Bill Willingham, pencilled by Mark Buckingham, art by Steve Leialoha and Andrew Pepoy, color by Lee Loughridge, letters by Todd Klein (DC/Vertigo Comics)
• Schlock Mercenary: The Body Politic Story and art by Howard Tayler (The Tayler Corporation)
• Serenity: Better Days Written by Joss Whedon & Brett Matthews, art by Will Conrad, color by Michelle Madsen, cover by Jo Chen (Dark Horse Comics)
• Y: The Last Man, Volume 10: Whys and Wherefores Written/created by Brian K. Vaughan, pencilled/created by Pia Guerra, inked by Jose Marzan, Jr. (DC/Vertigo Comics)

Best Dramatic Presentation, Long Form
(436 Ballots / Bulletins)

• The Dark Knight Christopher Nolan & David S. Goyer, story; Jonathan Nolan and Christopher Nolan, screenplay; based on characters created by Bob Kane; Christopher Nolan, director (Warner Brothers)
• Hellboy II: The Golden Army Guillermo del Toro & Mike Mignola, story; Guillermo del Toro, screenplay; based on the comic by Mike Mignola; Guillermo del Toro, director (Dark Horse, Universal)
• Iron Man Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway, screenplay; based on characters created by Stan Lee & Don Heck & Larry Lieber & Jack Kirby; Jon Favreau, director (Paramount, Marvel Studios)
• METAtropolis by John Scalzi, ed. Written by: Elizabeth Bear, Jay Lake, Tobias Buckell and Karl Schroeder (Audible Inc)
• WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)

Best Dramatic Presentation, Short Form
(336 Ballots / Bulletins)

• “The Constant” (Lost) Carlton Cuse & Damon Lindelof, writers; Jack Bender, director (Bad Robot, ABC studios)
• Doctor Horrible’s Sing-Along Blog Joss Whedon, & Zack Whedon, & Jed Whedon & Maurissa Tancharoen , writers; Joss Whedon, director (Mutant Enemy)
• “Revelations” (Battlestar Galactica) Bradley Thompson & David Weddle, writers; Michael Rymer, director (NBC Universal)
• “Silence in the Library/Forest of the Dead” (Doctor Who) Steven Moffat, writer; Euros Lyn, director (BBC Wales)
• “Turn Left” (Doctor Who) Russell T. Davies, writer; Graeme Harper, director (BBC Wales)

Best Editor, Short Form
(377 Ballots / Bulletins)

• Ellen Datlow
• Stanley Schmidt
• Jonathan Strahan
• Gordon Van Gelder
• Sheila Williams

Best Editor, Long Form
(273 Ballots / Bulletins)

• Lou Anders
• Ginjer Buchanan
• David G. Hartwell
• Beth Meacham
• Patrick Nielsen Hayden

Best Professional Artist
(334 Ballots / Bulletins)

• Daniel Dos Santos
• Bob Eggleton
• Donato Giancola
• John Picacio
• Shaun Tan

Best Semiprozine
(283 Ballots / Bulletins)

• Clarkesworld Magazine edited by Neil Clarke, Nick Mamatas & Sean Wallace
• Interzone edited by Andy Cox
• Locus edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
• The New York Review of Science Fiction edited by Kathryn Cramer, Kris Dikeman, David G. Hartwell, & Kevin J. Maroney
• Weird Tales edited by Ann VanderMeer & Stephen H. Segal

Best Fanzine
(257 Ballots / Bulletins)

• Argentus edited by Steven H Silver
• Banana Wings edited by Claire Brialey and Mark Plummer
• Challenger edited by Guy H. Lillian III
• The Drink Tank edited by Chris Garcia
• Electric Velocipede edited by John Klima
• File 770 edited by Mike Glyer

Best Fan Writer
(291 Ballots / Bulletins)

• Chris Garcia
• John Hertz
• Dave Langford
• Cheryl Morgan
• Steven H Silver

Best Fan Artist
(187 Ballots / Bulletins)

• Alan F. Beck
• Brad W. Foster
• Sue Mason
• Taral Wayne
• Frank Wu

The John W. Campbell Award for Best New Writer
(288 Ballots / Bulletins)

• Aliette de Bodard*
• David Anthony Durham*
• Felix Gilman
• Tony Pi*
• Gord Sellar*

*(Second year of eligibility)

Subterranean Press has put up the pre-order page for the print edition of METAtropolis.  You can find it here, and if you want to order the book directly, you can do so from here.

Didn't know this was coming?  Well, we'd been discussing it from the very beginning, and Audible was kind enough to give us the print rights to do with as we pleased.  The result is that these excellent novellas have a chance of reaching an even broader audience. 

Thanks to both Audible and Subterranean for believing in this project--and thanks especially to John Scalzi for his light touch as an editor.  It's a talent desperately needed when you're "herding cats" on such a strong set of personalities as we had here, and John handled it with aplomb.

In the spirit of the DVD phenomenon, we've created a little easter egg for buyers of the audiobook version of Pirate Sun.  There's additional material here that provides clues to the plot and characters in The Sunless Countries, which won't hit store shelves until next August.

Extra paper costs; extra bytes don't.  There was some material at the end of Pirate Sun that wasn't absolutely necessary--"good to have" scenes that we ultimately decided slowed the ending of the paper edition.  Audiobooks have a different style of pace, though, and a little extra time costs us nothing.  It reallly is a lot like DVDs, where the "good to have" scenes not released in the theatrical version are included because, well, they can be.

A lot of people have assumed that I was writing a trilogy--and, in a sense, I have been.  Pirate Sun ends the main plotline begun in Sun of Suns, and in that sense completes the story.  There remained lots of dangling questions, though, as well as opportunities for setting and adventure that had to remain unexplored in the first three books.  Hence, The Sunless Countries.

Virga is a world of infinite possibility.  I'm currently writing a set of short stories set there, because there's just too much to say about the place.  I love to go there in my imagination, and I know a lot of other people do too.  The fun's not over yet.

So if you want a hint of what's to come, pick up the audiobook version of Pirate Sun and enjoy!

Tor.com has a review of Metatropolis here.  They really liked it, the reviewer, John Joseph Adams, going so far as to say, "Overall, METAtropolis is one of the best anthologies I’ve read in a long time."  He follows that up with praise for each of the stories, and the narrators, three of whom are Battlestar Galactica actors.  But I really got happy when he said this:

The two standout stories, I thought, were the two with the most complicated titles—Scalzi’s Utere Nihil Non Extra Quiritationem Suis and Karl Schroeder’s To Hie from Far Cilenia. Scalzi’s is the most accessible and fun; Schroeder’s is the most inventive and full of gosh-wow sensawunda.

This is fantastic--another case where I had literally no idea how my story was going to be received.  It's... well... more than a bit strange.  But with the other pieces to anchor the world a bit, I guess it works.

Meanwhile, over at SFFAudio.com is another great review, praising both the stories and the excellent narration.  They have this to say about my story, "To Hie from Far Cilenia:"

...And last is Karl Schroeder’s story, “To Hie from Far Cilenia”, read by Stefan Rudnicki. This is a wonderful story of cities of a different type. Idea-rich, action-packed - it’s got it all. It’s a perfect cap to a great bunch of stories, taking things in a completely different direction. A virtual world superimposed on the “real” one, but isn’t the virtual one just as real? Rudnicki is excellent, like always.

Hey Mom, I made some sensawunda!