Tor Books has been very happy with my Virga books, so much so that they've decided to release a new, omnibus edition of the first two.  Sun of Suns and Queen of Candesce will appear together in one volume, entitled Virga:  Cities of the Air.  This book will hit the stores on July 6, 2010, but you can pre-order it now from Amazon.

Yes, there is in fact already an omnibus edition of these books--it's Virga 1.2, from the Science Fiction Book Club (advertised in the right-hand sidebar of this page, with cover art by Dave Seeley).  That edition is only available to book club members, though; the new omnibus will be from Tor and will be in bookstores everywhere (and, presumably, in ebook form too).  We hope to have further omnibus editions to round out the series.

Cory alerted me to an interesting upcoming event:  The Science Fiction Message Board is hosting Author August, a month of discussions about particular science fiction writers--one per day.  Apparently I'm Mister August 26th (no, there will be no centerfold, unless you make one up yourself).  

The introductory description of the event is here, and the threads themselves will, I gather, be unraveling from the Author Central forum.  

This is pretty cool, although I'd be an idiot if I expected to necessarily be flattered by what (if anything) gets said about me on the day.  The sensible thing for me, in fact, would probably be to steer clear of reading it altogether--but you may want to drop by. 

And, if you do, be kind. :-)

What do you do when you've created an open-ended universe of unmatched richness and potential?  You keep exploring it!  I'm very far from exhausting the possibilities of my world Virga, and here's The Sunless Countries to prove it.  This novel is connected to the previous three in the series, but doesn't require that you've read them.  It introduces new characters in a new setting while retaining enough links to the other books for fans of those stories.  It really is all one grand epic tale, but I've tried to keep the action local in each book, and that's definitely the case here.

Meet Leal Hieronyma Maspeth.  She's a history tutor at the University of Sere, in the nation of Abyss.  Leal's a curious mixture of discipline and unbridled imagination:  she works hard to get ahead in her cut-throat academic world, but nonetheless dreams of being swept away by the dashing sun lighter, Hayden Griffin, who has recently come to Sere to build a new sun for some other country.

As events conspire, she will end up meeting Griffin, but nothing is like she imagined it would be.  In particular, she never dreamt that something ancient and terrible might awaken in the darkness beyond Sere's streetlights--perhaps a fabled worldwasp, come to wreack vengeance on humanity for some long-forgotten slight.  Nor could she have anticipated that, in Abyss's current anti-intellectual backlash, she would end up being the only person who even knows what a worldwasp is, much less how to deal with it...

The Sunless Countries will be appearing on bookshelves within the next few days.  I've just received my first copy (and, by the way, on the actual book, the bands of colour on the top and bottom aren't lime green like they are in the above picture; they're indigo/purple, to go with the overall design).  In a couple of days, you too can meet Leal, and the worldwasps...

Here's what Publisher's Weekly has to say about the upcoming (August) print edition of our Hugo-nominated shared world project, METAtropolis:

Editor Scalzi (Zoe’s Tale) and four well known writers thoughtfully postulate the evolution of cities, transcending postapocalyptic clichés to envision genuinely new communities and relationships. Selfsustaining walled cities struggle with their responsibilities to dying suburbs in Scalzi’s “Utere Nihil Non Extra Quiritationem Suis”; goods are exchanged through multiple microtransactions in Tobias S. Buckell’s “Stochasti-City” and a reputation economy in Elizabeth Bear’s “The Red in the Sky Is Our Blood.” A lone man attempts to overthrow an early enclave in Jay Lake’s “In the Forests of the Night,” while Karl Schroeder’s “To Hie from Far Celenia” brilliantly combines steampunk, urban sociology and network theory as entire subcultures go “off the grid.” Each story shines on its own; as a group they reinforce one another, building a multifaceted view of a realistic and hopeful urban future. (Aug.

Edited by John Scalzi. Subterranean, $30 (264p) ISBN 978-1-59606-238-2 )

In the interest of full disclosure, let me say right off the bat that I've written an award-winning short story and a novel with David Nickle.  I consider him one of the finest horror writers around, and in combination we've crafted some pretty weird stuff; but by temperament David's always been a short fiction writer.  His best pieces are small, intricately-crafted, and often disturbing glimpses of humanity's dark side.  Now, he's finally collected some of them into a book you can buy.  The book is Monstrous Affections.

David's work is by turns horrific, touching, and wickedly funny--sometimes all at the same time.  (Consider a vampire-as-special-needs-kid story where the poor misunderstood vampire toddler is swarmed by righteous preschoolers and--well, you can imagine.)  David's got a blog you can check out, The Devil's Exercise Yard, which is lots of fun, and of course you can still find copies of the novel we wrote together, The Claus Effect, which is basically a James Bond thriller with Santa Claus as the super-villain.

Monstrous Affections is available now for pre-order from the Horror Mall (as warm and cuddly a website as you can imagine).  The book will be released on Halloween of 2009; but by ordering it now, you send a strong signal to the publisher and other interested parties that you're interested in David's work.  And, if you later forget that you've put in the order, you'll have a pleasant little surprise in your mailbox around Halloween (and it won't be a stick or somebody's left ear!  Although, who knows, you might get that too).

The Merril Collection of Science Fiction, Fantasy & Speculation is one of the most prestigious science fiction research collections in the world.  As part of the Toronto Public Library system, it's open to the public and is housed in a modern building in downtown Toronto (in between the University of Toronto campus and Chinatown).  I'm delighted to be able to say that I'll be Writer in Residence at the Merril between January and March of 2010.

This is a position of service to the public.  I'll be given time to work on my own material every day, but I'll also be making myself available to library visitors to discuss writing, review manuscripts, facilitate networking between prospective writers, and so on.

I'm very excited and honoured to be doing this, because twenty-three years ago, I arrived in Toronto by myself; didn't know anybody; and by chance heard about a local TPL branch called (then) the Spaced Out Library.  I showed up to discover that Judith Merril was currently writer in residence, and through her I was introduced to some of the best friends I've made in this lifetime.  The writer's workshop that Judy started at that time--I was there at the inaugural meeting--has been meeting once a week since 1987.  It's with great pride that I find myself coming full circle to become writer in residence at the very library that made my writing career possible.

After the success of the first SciBarCamp in Toronto, we're hosting another event here, this time in collaboration with Science Rendezvous.

SciBarCamp is a gathering of scientists, artists, and technologists for a day of talks and discussions.  The second SciBarCamp event will take place at Hart House at the University of Toronto on May 9th, 2009, with an opening reception on the evening of May 8th.  The goal is to create connections between science, entrepreneurs and local businesses, and arts and culture.

One of the topics we will be exploring this year is "Open Science", but we welcome any suggestions from participants. After all, in the tradition of BarCamps (see BarCamp.org for more information), the program is decided by the participants at the beginning of the meeting, in the opening reception on May 8th.  SciBarCamp will require active participation; while not everybody will present or lead a discussion, everybody will be expected to contribute substantially - this will help make it a really creative event.

To get an impression of what to expect at SciBarCamp, read this review about last year's event, or look at the list of blog posts by attendees.

Attendance is free, but there is only space for around 100 people, so please register by sending an email to Eva Amsen (eva.amsen@gmail.com) with your name and contact details.  Please include a link to your blog or your organization's webpage that we can display with your name on the participants list.

I'm excited to announce that my next book is ready and will be published this summer.  The Sunless Countries is the fourth book in the Virga trilogy (let me explain).  It continues and expands upon the story begun in Sun of Suns, but is sufficiently stand-alone that you can still view the first three books as a single unit.  --That is, there's an arc and a set of characters that begins and completes in books one to three; Sunless Countries branches off from there, but contains some familiar faces, for instance Hayden Griffin.

There's a couple of reasons why I'm doing the series this way.  Firstly, I hate having to buy every book in a series in order to keep up with the whole storyline.  That makes it all one big book, so why not just publish it in one volume?  Missing a book in such series is rather like missing an episode of Lost.

So The Sunless Countries is its own thing.  Doing things this way lets me approach each book afresh, and I think you'll find it shows.  Start with Sunless countries if you want; it's just as good an introduction to Virga as the previous novels. 

The other main factor in my deciding to do it this way is that... well, this world is just so damn rich!  When I wrote Sun of Suns I discovered that there was much more to this setting than I could possibly encompass with a single novel, or even a single plotline.  One element that I hadn't fleshed out to my satisfaction was the nature of the world outside Virga.  With The Sunless Countries, we're finally doing that.

Finally, I'm continuing my ongoing experiment of telling a slightly different kind of story with each of these books.  The Sunless Countries focuses on Leal Hieronyma Maspeth, a history tutor in the sunless nation of Abyss.  When the famous sunlighter--Hayden Griffin--comes to town, she's both attracted to him as a real hero, and repelled by his association with the local, corrupt government. 

Yet at the same time that Griffin arrives, so does something else--a great voice issuing from the darkness, crying words that no one in Abyss, or Virga, wants to hear...

Queen of Candesce is already available in hardcover and in audiobook format as well.  The paperback edition is on its way.

If you've been holding off buying QofC because it's only in hardcover, I heartily encourage you to give this edition a look.  While Pirate Sun has been selling like hotcakes and is getting a very good critical reception, Queen of Candesce is my personal favourite of the Virga books to date (is an author allowed to say stuff like this?  My editor may kill me).  Rollicking adventure aside, QofC is set in a unique environment even for Virga:  the inbred, decadent wheel-world of Spyre.  It also features Venera Fanning, who has been one of the most fun characters I've ever written about.  Not only that, I think it's the funniest book I've written.  It continues the saga of Virga, opening the world, characters, and situation out in new directions.  If you enjoyed Sun of Suns, you'll love Queen of Candesce.

And for all of you who complain that I don't promote my work enough:  so there!

This is my all-time favourite cover for my books, just barely edging out another Martiniere cover, the one for Lady of Mazes.  What's so cool about this image is that it's a faithful rendering of the last scene of Chapter 1, but it manages to look like it's some sort of abstract fantasy.  In fact, everything in this scene is possible (if not plausible) physically, part of the "Newtoninan SF" principle I've been using in these books.

Oh, this is going to be fun. 

 “One thing I can guarantee,” said Venera Fanning. “There has never been a prison break quite like this one.”

 The barrel-shaped tugboat was so old that moss had spread continents over its hull, and tufts of grass jutted from its seams like hairs from an old man’s chin. The powerful drone of the vessel’s engines, as its small crew tested them, put a lie to any impression that it was feeble, however. In fact the bone-rattling noise of the test quickly drove Venera and her small group away from the drydock framework that enclosed the tug.

Venera turned away from it and squinted past the light of Slipstream's sun. The city of Rush spread across half the sky, its gaily bannered habitat cylinders turning majestically among wisps of cloud. It was mid-day and the air was full of airships, winged human forms, and here and there cavorting dolphins.

 One figure had detached itself from the orderly streams of flying people, and was approaching. Venera saw that it was a member of her private spy network, a nondescript young man dressed in flying leathers, his toeless shoes pushing down on the stirrups that drove the mechanical wings strapped to his back. He hove to and she admired the sheen of sweat on his shoulders as he saluted. “Here's the latest photos.” He proffered a thick envelope; Venera took it, forgetting about him instantly, and tore it open.

 Her fingers rose of their own accord to touch the scar on her jaw as she looked at what the pictures revealed: the planes and corners of a stone prison that hovered alone in cloudy skies. Not one building, but six or seven that had been lashed together over the decades, the blocky, boulder-like edifice hung half-wreathed in its own fog bank. The blocks, spheres and triangles of the Falcon New Prison were of various architectural styles and colors, literally thrown together and hybridized with clumsy wooden bridges and rope-and-chain lashings into one cancerous monster whose only common element was that all its windows were barred.

 With no gravity to flatten it, the composite prison was stable enough; storms were rare on the edge of civilization and there were no obstacles for the place to run into in its endless drift. The New Prison was a child of neglect, a forgotten mote on the fringe of the vast cloud of worker's dormitories, collective farms and planned cities that was Falcon Formation. Most of the cargo delivered here was on a one-way journey.

 Venera intended to make an unscheduled pick-up.

 continued...

Way over at the Whatever, John has made an announcement about a really fun project he dragged me into a couple months back.  It's true:  John, and Elizabeth Bear, and Jay Lake, and Tobias Buckell and I have been working together for several months to present you with a new near-future vision, one that's decidedly urban but calls into question what a city really is... and what the boundaries of sovereignty are in a future where some of the world's cities will have greater populations than the countries they are in. 

So, if the cyberpunks were all about corporate control, sticky technologies and software, we're all about sustainable communities, parallel economies and remapping reality with your GPS and your sleeping bag. It's the city alive, the city as beast and brother and increasingly, self-aware actor in the global political arena.

Or, as Shriekback sang in their song "Hymn to Local Gods" (a reference sure to date me as one of the old guys):

I'm actually engaged in writing several stories set in my world of Virga (the setting for Sun of Suns, Queen of Candesce, and the forthcoming Pirate Sun).  "The Hero" is the first--thanks to Jonathon Strahan for choosing it for Eclipse 2!

I'm in pretty amazing company with this anthology; here's the lineup:

The Hero, Karl Schroeder
Turing’s Apples, Stephen Baxter
Invisible Empire of Ascending Light, Ken Scholes
Michael Laurits is: Drowning, Paul Cornell
Elevator, Nancy Kress
The Illustrated Biography of Lord Grimm, Daryl Gregory
Down and Out in the Magic Kingdom, David Moles
The Rabbi’s Hobby, Peter S. Beagle
The Seventh Expression of the Robot General, Jeffrey Ford
Skin Deep, Richard Parks
Ex Cathedra, Tony Daniel
Truth Window: A Tale of the Bedlam Rose, Terry Dowling
We Haven’t Got There Yet, Harry Turtledove
Fury, Alastair Reynolds

I won't say anything about what "The Hero" is about, except to say that it does have to do with one of the major plotlines running through the first three Virga books; and it doesn't have any of the characters from those books in it.

Just thought I should summarize what I'm up to lately, which is quite a lot:

• I'm finishing The Sunless Countries for Tor.  I just burned a city and the protagonist has sold out to the enemy.  Ah, it warms my heart!
• I'm working on a talking-book novella for a secret project.  It should be announced at Worldcon.  And no, I can't say more.
• I have four other short story/novella commissions I'm trying to meet.  This will be quite a year for short fiction for me.  I rather dried up there for several years, during the period when I was writing Permanence and Lady of Mazes.  But I'm back, and having loads of fun.
• I'm thinking about how to top Virga.  Ha!  No mean feat--but just wait until you see where The Sunless Countries takes us.  After I'm done with you, you'll be willing to believe in Santa Claus again.

As usual, the more productive I'm being on the fiction side, the less frequent my updates on the website.  It's a handy barometer for how hard I'm working, as a matter of fact.  So if you don't hear from me for a while... think 'good stuff coming.'

Tor has told me that they're going to release the Virga books in audiobook format (through MacMillan's audio division) on an aggressive schedule.  I don't have exact release dates, but here's the general timing--and it's quite tight:

1. Sun of Suns will be out in June
2. Queen of Candesce will be released in July
3. Pirate Sun will be out in August, essentially simultaneously with the release of the print version.
   

I've known this was coming for months, but couldn't talk about it.  Now my publisher, Tor, has revealed that Sun of Suns, my rollicking postmodern space-opera, will be next week's free ebook download from Tor.com.  Want a copy?  Then head on over to the new site and register.  It's free, and if you act now, you'll also gain access to a couple of other free ebooks.

Believe me, it'll be worth it to join the new site.  Tor isn't just pasting new art on an old site, here; they're opening up their entire operation.  The new tor.com will be a participatory playground for fans, thoughtful readers, and aspiring writers. It'll also have original art and stories, and stuff I still can't talk about.

This is fun: I'm helping organize a “SciBarCamp” with a diverse group of local people including entrepreneurs, students, artists, and scientists.  The event will take place at Hart House at the University of Toronto on the weekend of March 15-16, with an opening reception on the evening of March 14.

SciBarCamp is a gathering of scientists, artists, and forward-thinking members of the public for a weekend of talks and discussions.  The goal is to create connections between science, entrepreneurs and local businesses, and arts and culture.  The themes are:

• The edge of science (eg, synthetic biology, quantum gravity, cognitive science)
• The edge of technology (eg, mobile web, ambient computing, nanotechnology, web 2.0)
• Science 2.0 (open access, changing models of publication and collaboration)
• Scientific literacy and public engagement (eg, one laptop per child project, policy and science, technology as legislation, science as culture, enfranchising the poor, the young, the old)

In the tradition of BarCamps, otherwise known as "unconferences", (see BarCamp.org for more information), the program is decided by the participants at the beginning of the meeting, in the opening reception.  Presentations and discussion topics can be proposed at the SciBarCamp website or on the opening night.

The talks will be informal and interactive; to encourage this, speakers who wish to give PowerPoint presentations will have ten minutes to present, while those without will have twenty minutes.  Around half of the time will be dedicated to small group discussions on topics suggested by the participants.  The social events and meals will make it easy to meet people from different fields and industries.  Our venue, Hart House, is a congenial space with plenty of informal areas to work or talk.  There will be free wireless access throughout.

Our goals are:

• Igniting new projects, collaborations, business opportunities, and further events.
• Intellectual stimulation and good conversation.
• Integrating science into Toronto's cultural, entrepreneurial, and intellectual activites.
• Protoyping a model that can be easily duplicated elsewhere.

Attendance is free, but there is only space for around 100 people, so please register soon by sending an email to Jen Dodd (dodd.jen@gmail.com) with your name and contact details..  Include a link to your blog or your organization's webpage that we can display with your name on the participants list at www.SciBarCamp.org.

More information can be found at www.SciBarCamp.org.

This site's rapidly evolving, so don't be surprised if parts of it are empty.  In the About folder, though, I've just added a folder called "The Lab."  This is a collection point for cool stuff that I want to keep, and cool ideas I may want to write about but which have no other home on the site.

Incidentally, I'm working up an "Interviews" folder that will hopefully contain some videos as well as links to those print interviews that are online.

And coming very soon:  the Vote Venera in '08 Page!